The lines of life
are interwoven with doubt;
Uncertain strings
connecting possibilities
And consequences
that may ring
or sting.
Yet, the end points
are undeniable
Silence is the endless line
They are the hues
of change.
Tarmac
Plaque
Upon a black tarmac a disfigure
Lying cold in a disquiet
Way. Dismembered; torn
By disgust; dismissed
As a wretched life; born
In disfavor
And to human scorn,
Fear and distrust.
For all goodness is forlorn
Of the disgraced
Beast; dead, without a mourn.
All The Many Days
Though birthdays
seem to come and go,
like a clock's
pendulum swaying to and fro,
I ponder why then
time does not
allow the ease
to reset the last dot.
Standing at the door’s way
a form, holding a white candle,
a flickering silhouette against the dark;
the posture neither enters nor exits;
Nor does it say
why it passes this way
or whether it will stay
or go.
The imposing figure does not move nor
sway,
merely a form furrowing the white light;
a presence radiating forth
to name each frame hanging on the wall.
A whispering voice, in trembling dismay,
neither mortal nor specter, seeks a breath’s
last stand
and demands the account of me
and all things hidden by so many wondered
years.
"How have all the many days
come to this one moment now
and why did you not sleep?"
the voice asked.
I replied, "The time and years did
sway
and through dance and song
I laughed and cried – for I was once
to be that or this. And so now, after all
- life is still.
Will you tear at my fay
when you strike at my name?
Speak words of comfort
that I shan’t soon be a dearly departed!"
"Only after I leave will words say
that which was saved from last pray;
wish upon the candles so to live another
day."
an echo was the last sounding answer.
And thus, another year was my play
as I took each candle and wished
to find many more a day -
where have I come to now - who will say.
On the Kindred Ship
When
is it proper to welcome time;
Is
it when it sails in
And
becomes – present;
Or
perhaps when it is passed
And
glancing at its wake – past
Should
one; can one see either view
As
neither an old tale to be retold
Nor
as the indomitable now -
Where
every moment was never
And
will never be – forever
What
is found in life’s seas;
Is
it what one knows or what one sees;
Where
what we are; is what we were
And
what we were; is what we will be –
Which
dimension is real if there is no - time
And,
if all the oceans are but one
Pool
where life and death are currents
That
flow and swirl in endless time
So
that all futures are as all pasts
Then
the one thing; the only thing
is
the empty vase holding nothing – that is left.
As with the dying rays of the late day
Flowing through the thinning boughs
Of the Maples, the Oaks and the Birch
A glimmering sense of introspection
Sparks longings and passions
Desiring the pleasures of autumn’s color
To sustain the affair and yet,
Understanding that nothing remains
Unchanged nor will it be requited by a wistful wish.
Their hold of the sunlight and her warmth -
One must forget the urgencies of spring
And the swoons of summer so to leave
Their precious moments to romance
For the stoic says, ‘bring in the wood
And prepare the fireplace and hearth
To keep the cold at bay”.
As November’s falling days
Slip away into the gray somber skies
Filled with galleons of menacing clouds
Driven by the biting gales off the cold waters
Of the mighty lake -
A candle light dances along the walls
As hot ginger tea simmers a winter’s plea:
What must we be to see - another bee?
Let’s Go There
Shall we climb the mountain
where clouds roam the blue
so that I catch one just for you-
and we can hold it in certain?
Shall we walk the paths of the dale
to where gardens are full in flowers
and we can dance and sing for hours
of our time together in rejoice and in hale?
say where can we go from here
that finds a place without a care.
I know, I see – let’s go there.
Dedicated to Ron and Joyce 2008
Time in Place
What time have these roads lost?
Two remote paths
Along a distant cottonwood grove; crossed.
Frome where have these beginnings come?
To walk a shelters' long crossway
Where a refuge exists for souls that keep their private drum
And for the flock of migrating questions seeking life's reason;
To sit a moment and set aside all the pains
Into a welling salve upon the scars of treason.
Now the unknown circles in the sky have exposure
As collateral passages must continue
Along their separate ways to closure
From old to new stories
That tell of change; a fresh novel
A new song; a hopeful day's glories!
Where familiar pains
Rest in the hot sun
Waiting for refreshing rains.
Threading
On
Threading
a needle can test the eye
As
well as sewing what is torn
As
years and years have their worn -
Mending
a soul with all its wry
Repairs
the mind; calms the heart’s lorn.
Finding Loss
When we first know the beginning of loss -
Is it at child’s last grasp at fantasy?
Or perhaps when discipline is a cause
To follow in harrowed lunacy?
When is loss the first and last infancy
To still the pained soul into a dark place?
And years and more years of cold dormancy
Become crying eyes of a pained blank face.
This then; a heart calloused beyond a trace
And meanings transcend a life’s final truth:
That a day is no more than just one lace
That ties age; loss to a fanciful youth.
This then - shall not be taken as uncouth
Nor as discordant notes to a love song
But instead - meditations for kind ruth:
That all is forgiven. Life is not long.
Upon an azure sea came the splendored brigantines
Filled with promise and yet, always a chance of loss
From Aurora came Thalassa the ship of Hemera
(As mariners conjured warning or delight of a rubicund sky)
And from the closing horizon
Came the Hespera, the ship of Atlas.
Each galleon escorted by their looming armadas
Through the gales of endless time;
Temporary fleets in their fleeting moment
High above the seemingly indefectible
and stationary annotations
Placed upon the face of Mother earth.
That there is no gravity finds peaceful
The kissing of these clouds.
Photograph by Donna Hass
Sentiment on Valley View
Across the old woods
The path mimics the old stream flows
That have enticed so many childhoods
And, my soul cannot resist; it goes
Where the lush trees cover the hill
And calls the chants of the whippoorwill
To a secret place where unicorns fly
Along the rainbow’s arc
As my voice sings out and my heart sighs
For all that is there is my youthful heart
That keeps safe my imagination’s play
With my special friends to return my way!
Where has my green forest gone?
Instead, now only forms made from their lumber.
As I stand alone on this asphalt path; wishing dawn’s
Magic to re-awaken my familiar from its slumber -
I wonder, when did we become so old -
It cannot be told.
Painting by: Emily Calvillo
Just a Line
A line begins with a touch
And continues upon a plane
That paint storms
On a pastoral scene.
Draw me a line
And I will find
The symmetries
In the abstract-
Give me a line
And I will write
The histories
That compel and distract-
Throw me a line
That I might not drown
In the synergy of reveries
That both repulse and attract.
What is the last line...
To this place of Sycamore groves and peace
where the Pottawatomie kept the fires
of the valley’s three brothers
nature owns no measure; keeps no time piece.
To these Great Lakes lands of plenty
where the Illiniwek lived in tribal unities
came the bearded and blued-eyed brothers
with structures and artifacts worth a copper penny.
To these McHenry woods of Pleasant Grove
came the family of Hass to build a home
that keeps the tools of craft and art
and the flute’s notes form from the upstairs’ alcove.
To this, House of Earl, built of wood
rises the ghosts of tribal lore
that laud the native and natural
ways to all that is sacred and good.
Where once the trail and the distance
were of little
concern;
whether the
sultry summer burned
away at the
youth of my day
the long runs
never stopped
even when
winter’s frigid hands dropped
all life into a
silent whitened meadow
my breath never
faltered; never wavered.
I could out run
even time –
This virile
elixir was my sublime.
Arriving now to
an unfamiliar sense
What is to be
learned?
That time
ultimately won at the turn?
Where now I can
barely find my way
to the next valley;
to the next mountain top.
The meadow’s
place is a vague twilight hop
of old stories
with famed ghosts and false shadows;
of conquests and
fails that now seem - a bitter flavor.
And, when once I
could even out run time!
That was never
true - however, it does remain my sublime.
Dreamscape
From a
distant place called life
Painted
across a canvass of many years
Filled with
days and years of many tones
Some hues
are bright while others - so dark.
The range
of images are clear and present
While many
others are intriguing; indiscernible.
Stepping
closer to the work - it is a lifetime
In scope
and detail however, it is incomplete.
The quadrivium
of perspectives, while simple,
Much too
intricate to absorb instantly.
The nine
enneads formed into a square;
Threes forming
a canopy of trees.
Reaching
out to touch the painting
There is
no stillness – it is alive;
Expanding
equally and exponentially
It is
plain to see many unfilled and unfinished
Aspects
of the art where it fades to rawness
Or is
pale and faint to its age.
Now the
old man enters without fanfare
And sits
alone in quiet ponder
The painting
moans in aches of birth
For the
work pulsates in elaboration
The colors
are vivid and vibrant
As his
eyes close and become blind.
And a
ship of fools and poetasters
Carry out
the last feast to all that is verse
And sail
against the adverse winds
To carry
the old man’s canvass to its place at sea
Where the
deep waters keep the mountains
That he
loved so because they hold - the next horizon.
Dedicated to Yvette; who seeks to see and touch her canvass.
When did yesterday lose grip of always?
The things that were once - have stayed back
Barely visible through the melancholy haze
Of sentimental memories and fleeting glories;
Remaining huddled behind shadows of regret.
Why is yesterday never today?
Anymore than it will be a tomorrow,
Where always seems to run and run
Staying at just the distance
So to never become – always.
We see the geese at a great distance
And then, they are here
And gone for always
Until another time-
For another one to ask-
Why is always – never?
Always
from
ourselves we are drawn; way
Away
and
when it is time to be on way
Away
to
human frail and fail as gone - way
Always
seek
where the sun's dawn is the only way.
Why is there a brave little toaster sitting along the way?
Looking quite sad and lying askance upon the snowy curbside;
Was there a burnt misunderstanding that popped into dismay
Between the slices at the Manor Burnside?
Who can say which
side won the buttered fray?
A picture frame that might have once held a special place
Now sits alone and deserted upon that odd driveway -
Might the story, left untold, involve a loss of face
Or perhaps, it is simply a mishap left behind on a snowy day
Never making the trip; never to be a gift wrapped in paper
and lace?
Stranger things have happened this long year
Where humanity isolated and made resolute to be in stasis
And all sense and degree of normalcy is masked behind a fear
That human connections of tenderness could be the basis
Where disembodied friends and family now wait - in a virtual
appear.
Roads
of Ill
What turn;
what diversion – what way
Have we made
that brings us to this day?
When the
better part of all
Is one that
does not call
To nearness;
nor offers weirdness
Along the
roads of ill
Strewn in
carrions of kill.
What is this
place of strange nests?
Where tubes
and blips speak of rests
That hold care
and love in isolation
So that breath
is not immolation
Of limb, life,
and - civilization.
And so, the circle,
the center, the point
Are One - that cannot self-anoint.
The
narrowing days consume the aperture’s light
As
winter’s hands dress the warm soil in blankets of white
And
too, summer’s passions flicker away into the last embers
Before
a frigid grasp claims foolish lovers; lost and not at home
Safe,
in golden slumber; awaiting the sweet songs of spring’s rite
That
gainsay a death’s epilogue and ease the peril one remembers:
How
the isolation and regeneration grasses of brome
Swayed
and soothed away an endless winter’s night.