Threading
On
Threading
a needle can test the eye
As
well as sewing what is torn
As
years and years have their worn -
Mending
a soul with all its wry
Repairs
the mind; calms the heart’s lorn.
Threading
On
Threading
a needle can test the eye
As
well as sewing what is torn
As
years and years have their worn -
Mending
a soul with all its wry
Repairs
the mind; calms the heart’s lorn.
Finding Loss
When we first know the beginning of loss -
Is it at child’s last grasp at fantasy?
Or perhaps when discipline is a cause
To follow in harrowed lunacy?
When is loss the first and last infancy
To still the pained soul into a dark place?
And years and more years of cold dormancy
Become crying eyes of a pained blank face.
This then; a heart calloused beyond a trace
And meanings transcend a life’s final truth:
That a day is no more than just one lace
That ties age; loss to a fanciful youth.
This then - shall not be taken as uncouth
Nor as discordant notes to a love song
But instead - meditations for kind ruth:
That all is forgiven. Life is not long.
Upon an azure sea came the splendored brigantines
Filled with promise and yet, always a chance of loss
From Aurora came Thalassa the ship of Hemera
(As mariners conjured warning or delight of a rubicund sky)
And from the closing horizon
Came the Hespera, the ship of Atlas.
Each galleon escorted by their looming armadas
Through the gales of endless time;
Temporary fleets in their fleeting moment
High above the seemingly indefectible
and stationary annotations
Placed upon the face of Mother earth.
That there is no gravity finds peaceful
The kissing of these clouds.
Photograph by Donna Hass
Sentiment on Valley View
Across the old woods
The path mimics the old stream flows
That have enticed so many childhoods
And, my soul cannot resist; it goes
Where the lush trees cover the hill
And calls the chants of the whippoorwill
To a secret place where unicorns fly
Along the rainbow’s arc
As my voice sings out and my heart sighs
For all that is there is my youthful heart
That keeps safe my imagination’s play
With my special friends to return my way!
Where has my green forest gone?
Instead, now only forms made from their lumber.
As I stand alone on this asphalt path; wishing dawn’s
Magic to re-awaken my familiar from its slumber -
I wonder, when did we become so old -
It cannot be told.
Painting by: Emily Calvillo
Just a Line
A line begins with a touch
And continues upon a plane
That paint storms
On a pastoral scene.
Draw me a line
And I will find
The symmetries
In the abstract-
Give me a line
And I will write
The histories
That compel and distract-
Throw me a line
That I might not drown
In the synergy of reveries
That both repulse and attract.
What is the last line...
To this place of Sycamore groves and peace
where the Pottawatomie kept the fires
of the valley’s three brothers
nature owns no measure; keeps no time piece.
To these Great Lakes lands of plenty
where the Illiniwek lived in tribal unities
came the bearded and blued-eyed brothers
with structures and artifacts worth a copper penny.
To these McHenry woods of Pleasant Grove
came the family of Hass to build a home
that keeps the tools of craft and art
and the flute’s notes form from the upstairs’ alcove.
To this, House of Earl, built of wood
rises the ghosts of tribal lore
that laud the native and natural
ways to all that is sacred and good.
Where once the trail and the distance
were of little
concern;
whether the
sultry summer burned
away at the
youth of my day
the long runs
never stopped
even when
winter’s frigid hands dropped
all life into a
silent whitened meadow
my breath never
faltered; never wavered.
I could out run
even time –
This virile
elixir was my sublime.
Arriving now to
an unfamiliar sense
What is to be
learned?
That time
ultimately won at the turn?
Where now I can
barely find my way
to the next valley;
to the next mountain top.
The meadow’s
place is a vague twilight hop
of old stories
with famed ghosts and false shadows;
of conquests and
fails that now seem - a bitter flavor.
And, when once I
could even out run time!
That was never
true - however, it does remain my sublime.
Dreamscape
From a
distant place called life
Painted
across a canvass of many years
Filled with
days and years of many tones
Some hues
are bright while others - so dark.
The range
of images are clear and present
While many
others are intriguing; indiscernible.
Stepping
closer to the work - it is a lifetime
In scope
and detail however, it is incomplete.
The quadrivium
of perspectives, while simple,
Much too
intricate to absorb instantly.
The nine
enneads formed into a square;
Threes forming
a canopy of trees.
Reaching
out to touch the painting
There is
no stillness – it is alive;
Expanding
equally and exponentially
It is
plain to see many unfilled and unfinished
Aspects
of the art where it fades to rawness
Or is
pale and faint to its age.
Now the
old man enters without fanfare
And sits
alone in quiet ponder
The painting
moans in aches of birth
For the
work pulsates in elaboration
The colors
are vivid and vibrant
As his
eyes close and become blind.
And a
ship of fools and poetasters
Carry out
the last feast to all that is verse
And sail
against the adverse winds
To carry
the old man’s canvass to its place at sea
Where the
deep waters keep the mountains
That he
loved so because they hold - the next horizon.
Dedicated to Yvette; who seeks to see and touch her canvass.
When did yesterday lose grip of always?
The things that were once - have stayed back
Barely visible through the melancholy haze
Of sentimental memories and fleeting glories;
Remaining huddled behind shadows of regret.
Why is yesterday never today?
Anymore than it will be a tomorrow,
Where always seems to run and run
Staying at just the distance
So to never become – always.
We see the geese at a great distance
And then, they are here
And gone for always
Until another time-
For another one to ask-
Why is always – never?
Always
from
ourselves we are drawn; way
Away
and
when it is time to be on way
Away
to
human frail and fail as gone - way
Always
seek
where the sun's dawn is the only way.
Why is there a brave little toaster sitting along the way?
Looking quite sad and lying askance upon the snowy curbside;
Was there a burnt misunderstanding that popped into dismay
Between the slices at the Manor Burnside?
Who can say which
side won the buttered fray?
A picture frame that might have once held a special place
Now sits alone and deserted upon that odd driveway -
Might the story, left untold, involve a loss of face
Or perhaps, it is simply a mishap left behind on a snowy day
Never making the trip; never to be a gift wrapped in paper
and lace?
Stranger things have happened this long year
Where humanity isolated and made resolute to be in stasis
And all sense and degree of normalcy is masked behind a fear
That human connections of tenderness could be the basis
Where disembodied friends and family now wait - in a virtual
appear.